Rutger University Press 2004, 240 s. ISBN 0-8135-3434-8
Bogomtale fra forlaget.
"Zandy takes her subject-the living,
writing, and teaching of the American working-class experience-deeply into a
regrettably obscure area of cultural studies, one which she is eminently able to
treat."--Martha Banta, author of Barbaric Intercourse: Caricature and the
Culture of Conduct
What are two hands worth?
In linking forms of cultural expression to labor, occupational injuries, and
deaths, Hands: Physical Labor, Class, and Cultural Work centers what is
usually decentered--the complex culture of working-class people. Janet Zandy
begins by examining the literal loss of lives to unsafe jobs and occupational
hazards. She asks critical and timely questions about worker representation--who
speaks for employees when the mills, mines, factories, and even white-collar
cubicles shut down. She presents the voices of working-class writers and
artists, and discusses their contribution to knowledge and culture.
Zandy also illuminates the relationship between contemporary poets and
historical events such as the Triangle fire, and argues for consideration of
Ralph Fasanella as a great narrative painter of the working class. Hands
concludes with an imaginative interpretation of how our complex system of
technology affects laboring bodies through various speed zones of history,
culture, and lived experience.
This path-making book reveals the flesh and bone beneath the abstractions of
labor, class, and culture. It is an essential contribution to the emerging field
of working-class studies, offering a hybrid model for bridging communities and
non-academic workers to scholars and institutions of knowledge.
Janet Zandy is a professor of language and literature at the Rochester
Institute of Technology. She is the author of Calling Home: Working-Class
Women's Writing, Liberating Memory: Our Work and Our Working-Class
Consciousness, and What We Hold in Common: An Introduction to